2023-10-10
The Art of Preservation
Thanks to restoration and conservation, countless works of art offer insights into long-forgotten times, spark discussions, and still are exceptionally well-preserved. On occasion of the European Days of Conservation-Restoration (9th-15th October), we would like to raise awareness of the valuable contributions this discipline offers to our cultural heritage and society. In addition, we take a closer look at the challenges faced by restorers in preserving abstract works of art created after 1945.
What are the actual differences between restoration and conservation?
Works of art are constantly subjected to changes due to external influences. As they age, they become more susceptible to dirt, colours may fade, or the paint layer may become fragile. To preserve the quality and significance of a work for as long as possible, different approaches are available.
The major differences between restoration and conservation lie in their respective focuses. Restorative measures primarily aim to maintain the legibility of an artwork, restore it to its original condition as closely as possible, and emphasize its historical significance. This includes gentle cleaning of the surface, filling in chipped areas, retouching missing parts, and overpainting colour abrasions.
On the other hand, conservation concentrates on preventive measures to avoid decay and stabilize the artwork. Examples include closing tears in the canvas or reinforcing the paint surface.
Challenges in the conservation and restoration of abstract art created after 1945
Works of art from various periods and movements require different protection and care measures. However, abstract art created after 1945 poses unique demands for its preservation due to the avant-garde processes practised by its artists. Representatives of abstract art at that time broke away from the rigid conventions and rules of the established art world, seeking new forms of expression. Spontaneity, emotions, and authenticity took precedence. A uniform style ceased since both the techniques and materials were no longer determined. From this diversity alone, numerous challenges arise for conservators and restorers: What is the colour composition? Was the canvas pre-treated? How thick was the paint layer applied?
It becomes clear that today’s conservators need a wealth of experience and broad knowledge when dealing with post-war abstract works of art. By slowing down the ageing processes and repairing damage, the conservator at the Reinhard Ernst Museum will allow future generations to experience these works of art in their fullness.
We are curious! Share with us on Facebook or LinkedIn: Which artwork would you miss the most if there were no restoration and conservation?
To learn more about the European Days of Conservation-Restoration, click here.
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